Inaugurated on September 16, 2011
The
Architectural Style is Structural ExpressionismThe international firm Safdie
Architects designed the recently completed Kauffman Center for the Performing
Arts in Kansas City, Missouri. The 33,073 square meter complex contains a
proscenium theater, an experimental theater, a concert hall and a banquet hall.
Patrons enter the lower lobby, which opens to a view of the terraced gardens to
the south of the building, and then proceed up the grand staircase to the main
lobby. The enveloping architecture is a series of stainless steel undulating
segments of a circle which form the northern portion of the building. The steel
then opens to glazed glass above the foyers, giving a dramatic view of the sky
and the city skyline.The technical requirements and exacting standards required
of a facility like the Kauffman Center made it one of the most complex
structures in the world to design and build. The building, which took nearly
five years to complete, contains 40,000 square feet of glass, 25,000 cubic
yards of concrete, and 27 steel cables. The main lobby, Brandmeyer Great Hall,
is built of a glass ceiling and sloping glass walls that provide a panoramic
view of Kansas City to the south. The twenty-seven steel cables on the south
façade are anchored in embeds that weigh approximately one and a half tons, and
the embeds are an extension of the foundation and bedrock beneath the building.
When the steel cables were pulled taut during the construction process, the
entire steel structure shifted two to six inches to the south. This tensioning
provides stability to the structure and keeps the glass lobby securely in
place. The Kauffman Center covers 13 acres (53,000 m2), including landscaped
grounds over the 1,000-space, city-owned Arts District Garage. The cost of the
project was approximately $413 million, which includes both a $40 million
operating endowment and the city’s $47 million construction of the parking
garage. The Kauffman Center was designed by lead architect Moshe Safdie,
acoustician Yasuhisa Toyota, theater consultant Richard Pilbrow, and
engineering firm Arup. Local firm BNIM was the associate architect. Lead
contractor was J.E. Dunn Construction Group of Kansas City.The center’s
exterior consists of two symmetrical half shells of vertical, concentric arches
that open toward the south. Each shell houses one acoustically independent
performance venue, although the backstage area is shared. The south façade of
the Center is made entirely of glass. Safdie describes the lobby as “an
expansive glazed porch contained by a glass tent-like structure.” For those
inside Brandmeyer Great Hall, the glass puts Kansas City on display; for those
on the outside, the Kauffman Center becomes like a terrarium, revealing the
thousands of attendees backlit against the white interior.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFbnr_X93TvuqnONHawJZpnNPY7kjRqAMt_enHVdvRG4hrvSLESeYldrOLImqAmjyy1kOasoAmOsb3g8F_8AhC_EenvT_gAhrhIXOi7_J7q-KeMhE3GoF8Or8gIqViq6iDZmKE_cGfdztC/s1600/kauffman+google.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-8O8QuwsJK8wU317511rcequ31CPgq0JsDHGQQAPgQNJeDzMSus_c08yGwoQlBI0bj72ddZ4rP-CTLUJuaQgBhtv7xxAAP-bycJLbNTVFxcc3VIci2-_qZYeP3opc2pALPCZEyXwnv3e5/s1600/0_0000_MORGUE_KCMO_KauffmanCenter_NECorner_091211_DSCN4525.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBb0f7QjpIhMAjto-FTIA8RAgIyxgQt-RWiQm9gk5IzN8pgUND3nUJdB4o5LvBJMFd7pYG3J5aAtzEcEICUaByNwKdb7k4K9_zlJa5YLXD8for60rz06PMSlLC9l_x5QLld2B_ZQOxqfth/s1600/28dic-cielo.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSjvrkUxb_CicA0yXCzHb5qA_eieClcKBC3kIS5fAPPmsXxE_SgTlPfLZfyjzArg5QHFbOL8DtfYNvnI_3M7s15X6I1WT9HmTBwqM1b5T3GYqiVGW2-RyWbTaLSlhL-WEg_YgGunAk0VMO/s1600/10.jpg)
Moshe
Safdie, CC, FAIA (born July 14, 1938) is an Israeli/Canadian architect, urban
designer, educator, theorist, and author. He is most identified with Habitat
67, which paved the way for his international career.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgg7imhr2IoAw-Os_LuQNsjmmHpGWsnwG3hJUsK-2uRCBgCzVoc656AB-EE6Ek72mjRlrclqNt3cwkPTa65CCNxWJuPgrYASkptTxIs6vPIJN0qUGuGctAL5SFbC6Zc9xCauntk_1XHW8iL/s1600/220px-Moshe_Safdie.jpg)
After
apprenticing with Louis Kahn in Philadelphia, Safdie returned to Montreal to
oversee the master plan for Expo 67. In 1964, he established his own firm to
undertake Habitat 67, an adaptation of his McGill thesis. Habitat 67, which
pioneered the design and implementation of three-dimensional, prefabricated
units for living, was a central feature of Expo 67 and an important development
in architectural history. He was awarded the 1967 Construction Man of the Year
Award from the Engineering News Record and the Massey Medal for Architecture in
Canada for Habitat 67.[4]In 1970, Safdie opened a branch office in Jerusalem,
which recently closed.[5] Among the projects he has designed in Jerusalem are
Yad Vashem andMamilla Mall. In 1978, after teaching at McGill, Ben Gurion, and
Yale universities, Safdie moved his main office to Boston and became director
of the Urban Design Program at Harvard University's Graduate School of Design,
until 1984. From 1984 to 1989, he was the Ian Woodner Professor of Architecture
and Urban Design at Harvard. Since the early 1990s, Safdie, a citizen of
Canada, Israel, and the United States, has focused on his architectural
practice, Safdie Architects, which is based in Boston and has branches in
Toronto, Jerusalem, and Singapore. Safdie has designed six of Canada's
principal public institutions as well as many other notable projects around the
world, including the Salt Lake City Main Public Library, the Khalsa Heritage
Centre in India, the Marina Bay Sands integrated resort in Singapore, the
United States Institute of Peace headquarters in Washington, DC, the Kauffman
Center for the Performing Arts in Kansas City, and the Crystal Bridges Museum
of American Art in Bentonville, Arkansas.Moshe Safdie's works are known for
their dramatic curves, arrays of geometric patterns, use of windows, and key
placement of open and green spaces. His writings and designs stress the need to
create meaningful, vital, and inclusive spaces that enhance community, with
special attention to the essence of a particular locale, geography, and
culture.He is a self-described modernist.
File:Montreal
- QC - Habitat67
Khalsa
Heritage Memorial 176